![]() It needs an element of detail or realism. “But on a show like this, you can’t be naive in that way. ![]() “It’s quite a challenge because puppets tend to work very well if they’re not majorly naturalistic,” says Barnes, noting they aim to avoid having their designs enter the “uncanny valley” by giving them an abstract quality. “But for the most part, the tiger, the hyena and the rest of them want to move like the animal because they’re anatomically built that way.” “We look specifically at where the joints are in relation to each other, and sometimes that gets warped a little bit by putting inside or around it,” Caldwell says. The puppet designs are based on the skeletal anatomy of their real world counterparts, to accurately replicate the animal’s natural movement and allow for a broad range of emotional expression. And as he recounts the story, out of the flotsam and jetsam of the driftwood and the rope, he imagines these being brought together.” ![]() “In this version of the story, Pi’s recounting to the investigators in the hospital after the fact,” Caldwell says. “So we imagined him on this lifeboat sitting in the middle of the wreckage of all this ship. The puppets are crafted from plastazote, a foam that is lightweight enough to be hoisted and manipulated by performers, and carved to resemble the appearance of wood. “I saw that as an exciting opportunity to explore how subtle and adventurous we could be with the acting of the puppet.” And so the interchanges are really primal,” Caldwell adds, shortly before a recent afternoon rehearsal of the show. Caldwell viewed the storyline as a chance to “to develop a kick-ass puppet, but also to develop a very subtle relationship between a human and an animal,” he says. The trip takes a tragic turn when Pi ends up stranded at sea in a lifeboat with the tiger. ![]() In the staged version of the story, the titular Pi recounts his journey by boat from India to Canada with his family and their zoo animals. Matthew Murphy and Evan Zimmerman for Murphy Made ![]()
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